February 12th, 2013

This is the very very first draft of my new whistling-harp project! 

  • note to self - come up with catchier name than ‘whistling-harp project’. Shouldn’t be too difficult - anything would be catchier than that)

The basic premise is this:

  • I love whistling 

(Semi-relevant Digression: I can’t touch type, which is neither here nor there, but being a two-finger-typist means that 

a. I don’t appear dissimilar from how I imagine a bear would look like when I type. Flurrying paws, lots of growling and a near-constant desire for honey 

b. I am prone to a high frequency of typos - which, of course, I meet with CONSTANT VIGILANCE - but when I first typed out ‘whistling’ it came out as ‘shitling’. Thanks a LOT, Subconscious!)

  • Whistling is among my greatest joys and talents. Not that I have that many talents, but I do have a lot of joys.  Yet there isn’t really much of a forum for  whistling. No place for little old me. 
  • It is confined to the world of old men and Disney animals - a crowd in which I wouldn’t necessarily have placed myself. 
  • So one of my long-term goals is to record a series of songs, tunes, and ditties - whistled by me, and accompanied by my good self, on the harp. (Directed by, Executive Produced by, Starring and Guest Starring … Me. Spot the cameo by who-is-it-oh-wait-it’s-ME)
  • The harp accompaniment is more out of necessity than choice. If I had the funds or the professional capital to have a symphonic accompaniment, I would go for that. But for now, it’s just me at the harp, me on the whistles and.. that’s it.
  •  All this MeMeMe-ing acts as a nice segue into the nature of my very first whistling recording: it’s whistling of an operatic nature!   
  • The Aria (I know it sounds ridiculous to talk about Arias when it’s whistling, but go with it) is O Mio Babbino Caro, by Puccini. Or, at least, a very bald arrangement of it. 
  • That’s the other VERY important thing: this is a first draft. A totally imperfect version of something that I care a surprising amount about and wanted to share - because it can be fun, interesting, meaningful or sometimes just plain funny to hear something before it’s ready - or even before it’s a thing. 
  • By all this I suppose I mean that it’s just some Primordial Warbling at this point but that’s half the fun. 
  • Half Baked is my favourite ice cream flavour and it’s my favourite flavour of shared endeavour. Coincidence? Perhaps — but this’ll the kind of trivia worth its weight in gold when I’m a super-famous-whistler-whizz-extaordinaire (I’ve already had the stationary made so that’d better happen) 
So I hope you like it - or are at least tickled by it. I’d love some feedback and/or if you can think of a great tune or a song that you love that would suit being whistled, do tell me! That would be so much fun. I semi-secretly hate when people ask me for requests on the harp, but to whistle people’s requests would be my greatest pleasure. 

Many thanks to Ralegh Long for helping me record this first thing. And more importantly, for laughing with me, not at me. Right now, I realise that I am the Florence Foster-Jenkins of whistling. A more flattering likeness I could not wish for. 

p.s. You can read my blog about my first on stage whistling experience here, if you do so wish.

p.p.s. Schönberg said that he wanted to write tunes that postmen would whistle. He can dream on. 

October 1st, 2011

A curious encounter

I was speaking with a man at the supermarket today.  He asked what I was doing here in America, and when I told him I was studying the harp, he said:

‘The harp! YES! The cello of the opera!’ 

I have no idea what that means, (as I pointed out, VERY firmly)*  but I know that I like it.

I think that’s what I’ll tell people from now on.  

Next time someone asks me whether I wished I played the piccolo, I shall laugh merrily, shimmy over their feet with my MASSIVE harp, then tap them firmly on the nose and say, ‘But I do! The harp is the piccolo of the roller disco!’ 

And then walk away, harp in tow, with a stride far more majestic than fits the situation.

*No, I didn’t really. But can you imagine??

 ’The harp! YES! The cello of the opera!’ 

 ’Nono. That doesn’t mean anything.  I think you’ve got what you just said mixed up with something that makes sense.  Good day sir.’ 

End Scene

p.s. I realise I used the word firmly twice in a very short space.  But sometimes you just have to do things firmly, and no other word will do.